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Vismathapa Kumar

Chugan: Post Funeral Ceremony of the Garos 

  

The Chugan is the post-funeral ceremony of the Garos .It literally means final lying down of the Body-the body of the dead. It is known as Saram among the Atong the Atong and Gara Divisions of the Garos. The Dual Matchi division of the Garos call It Chugana or U.mang so.a.The Abeng division of the Garos calls it Sorata. The Chugan is used to be more elaborately observed among the Atong Gara, Ganching, Chibok, dual matchi, Chisak and Awe divisions of the Garos. Amongst the Garos, the Dances connected with the obsequies of the dead are the only Dance performed in the Chugan.

According to the ancient practice of the Garos regarding disposal of the dead, the body is bathed in chubitchi (extract of rice-beer). It is dressed in the best of colours and is made to lay in state open a bed
of Rang, which are placed on arranged heaps of silver coins for some time. In the meantime, twelve to twenty-one bulls are killed for the deceased and a funeral pyre of dried wood is erected in the open front courtyard of the house. The indestructible spirit of the deceased is believed to be still with the family in the house until it is sent off through proper performance of the Chugan.The deceased over whom it is

performance is fondly expected to be reborn in the selfsame sacred motherhood. So the Chugan is but an assertion, pure and simple, of the spirituality, the immortality and the after-life of the human soul. It upholds the age-old belief in the Garo paganism that, on the basic spiritual plane, the laying and the dead from the same human society and that the spirits of the dead still remain in atone-mint with the family and the tribe.

The first night of performance of the Chugan is called Chu Napa (The Entering in of Rice Beer).As tacitly under stood by custom and usage, the whole of starting day of the performance and the following night are entirely lift at the disposal of unmarried young men and unmarried girls. The participant fully enjoy their special spree during the interval , drinking, partaking of KAJI, Dancing and singing of folk-song, This privilege is more conspicuous among the Atong division of the Garos.Lapses in morals on the part of the participants are, however rare on this Occasion.

In the whole of the staring day and the follow-night of the performance, Dance by Men, women, boys and girls are performed alternately inside the house and in the open front courtyard. By tacit agreement and understanding, Chugan is sometimes performed simultaneously in six or seven houses in a village.                                                                                                                                                                                            January 2008

 Pix: Vismathapa Kumar

 
 
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CHUGAN : POST FUNERAL CEREMONY OF THE GAROS

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